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The Shining – Breakdown of a Scene

Show – Don’t Tell. This should be every writer’s rule. To showcase this, I’ve made a visual breakdown of the scene from “The Shining” where Danny Torrence meets those scary dead twins.

No talking head syndrome.

No over the top action.

Simple, visual cues.

Every writer should be telling a story with pictures. Not telling a story with special effects, dialogue, crappy voice-over narration, etc.

Exercise: Try storyboarding a short film or short story where there is no dialogue, and simple action. You’d be surprised how this can improve your writing.

Don’t let your STORY PLOT become your BURIAL PLOT.

One of the biggest cardinal sins any writer can commit, is becoming too emotionally dependant on artistic perfection.

I’ll admit, there is a certain ‘romance’ about being an eccentric artist; to be obsessed over your craft, and consumed by a desire to make the next ‘great work of art’. Everyone who is creative has had this thought at one point or another.

However, there is a signifigant flaw in this ideology. At what cost is an artist willing to be consumed by his or her depression? In his book On Writing, Stephen King explains how his addiction to drugs and alchohol consumed his life. His wife gave him an ultimatum. King made the wise choice, and decided to clean himself up. Not for his craft, but for his family, and his emotional health. No artist should punish themselves, or partake in mind-altering drug induced stupers to make ‘great art’.

A healthy writer is a good writer.

When I read the final letter author Virigina Woolf wrote to her husband, (before filling her coat pockets with stones, and drowing herself in the river) I find absolutely no ‘romance’ about being depressed.

“Dearest, I feel certain that I am going mad again. I feel we can’t go through another of those terrible times. And I shan’t recover this time. I begin to hear voices, and I can’t concentrate. So I am doing what seems the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I don’t think two people could have been happier ’til this terrible disease came. I can’t fight any longer.

I know that I am spoiling your life, that without me you could work. And you will I know. You see I can’t even write this properly. I can’t read. What I want to say is I owe all the happiness of my life to you. You have been entirely patient with me and incredibly good. I want to say that – everybody knows it. If anybody could have saved me it would have been you. Everything has gone from me but the certainty of your goodness. I can’t go on spoiling your life any longer. I don’t think two people could have been happier than we have been. V”

There is nothing beautiful about being unhealthy.

If you have let your craft consume your health, and depribe you of the things in life that make you happy, seek immediate remedy.

There have been many times where I thought my story would get the best of me. I suppose part of the writer’s craft is to worry about that sort of thing, but for me, there is a marginal difference between worrying about plot, and having a panic attack about it.

Don’t become lost in a sea of story structure. It’s very easy to become tangled in a web of ideas. One thing I’ve found, is that many story structure books neglect to tell you about the downside of ‘over-planning’. They don’t discuss the emotional impact of throwing your heart and soul onto the blank page.

Now, I’m sorry to tell you this writers, but I’m about to turn your lessons and understanding on the topic completely upside down.

Don’t worry about structure until you’ve written it.

I’ve had to learn this the hard way. I spent a good 6 years worrying about whether or not people would like my story. Whether or not I’ll ever ‘make it’ in this business. During this time, if I had spent my energy concentrating on fixing my grammar, or actually completing something, I would have saved myself years of emotional baggage.

"Lost in Structured Writing" - by D. Pike

"Lost in Structured Writing" - by D. Pike

I leave you now with two quotes that remind me not to be so hard on myself, and to concentrate on writing, rather than worrying.

In order to write about life, first you must live it!” – Earnest Hemmingway

and finally,

Nothing is so fatiguiging as the eternal hanging on of an uncompleted task.” – William James

There is nothing worse than having never finished a project. Just pick up whatever story you’ve started and finish it. Don’t worry if it’s going to be good or bad. Just DO IT. GET IT DONE!

You’ll notice a very large weight lift from your soul.

Don’t be Virigina Woolf. She let the pressure of success and completing the next great work of art weigh her down like the stones in her coat pockets. She should have saught medical help, rather than take matters into her own hands.

If you suffer from mental illness in this way, pick up a phone, and call someone for help. There is no shame in doing this. All great writers have suffered this, but the greatest writers (in my opinion) are those who seek help when they need it most.

Writer’s Poll – #1 – Writer’s Habits

Leave a comment below on what you chose, and why you chose it!
When do you do your best writing?
Where do you do your best writing?

What system works for you?

I’d love to hear it!

Take Two Quotes and Call Me in the Morning

I’ve added a new “quotes” page at the top of the blog. I’ll be updating it every so often. You can also access it under the “quote of the month” on the right side bar.

All writer’s need a little help sometimes. Here are some quotes that I’ve collected over the years. Whenever I read them, I affirm my identity. I rekindle the fire, and find a way to push forward. I hope these can do the same for you.


“The mightiest works have been accomplished by men who have kept their ability to dream great dreams.” – Walter Bowie


“It matters not what someone is born, but what they grow to be.” – J.K. Rowling


“Know how you’re going to end your story before you start writing; without a sense of direction, you can get lost in the middle.” Joan Nixon


“Try not to become a man of success, but rather try to become a man of value.” - Albert Einstein


“I would like to be remembered as someone who did the best she could with the talent she had.” – JK Rowling.


“Character is fate. We learn about a character from the decisions he makes or fails to make.” - Nicholas Meyer, Screenwriter


“Screenwriting books, like screenwriting classes, run the risk of becoming a substitute for writing” – Michael Hauge


“It takes courage to be a writer. Courage to face yourself, work through your demons & make your art.” - Terry Rossio


“I can’t believe that God put us on this earth to be ordinary.” - Lou Holtz


“Serious writers write, inspired or not. Over time they discover that routine is a better friend to them than inspiration.” - Ralph Keyes


“Talent is cheaper than table salt. What separates the talented individual from the successful one is a lot of hard work.” - Stephen King


“The biggest thing separating people from their artistic ambitions is not a lack of talent. It’s the lack of a deadline.” – Chris Baty



“In order to write about life, first you must live it!” – Ernest Hemingway


“It’s not the college degree that makes a writer. The great thing is to have a story to tell.” - Polly Adler


“You accomplish victory step by step, not by leaps and bounds.” - Lyn St. James


“You have to be brave to take out that white sheet of paper and put on it words that could be evidence of your stupidity.” - Sol Saks


“Harry Potter is all about confronting fears… Twilight is how important it is to have a boyfriend. “ – Stephen King


“Success is the sum of small efforts, repeated day in and day out.” - Robert Collier


“Anything’s possible if you’ve got enough nerve.” – J.K. Rowling


“Find a good story and don’t be surprised if it takes you five years to get it off the ground.” –Brad Anderson


“You can get help from teachers, but you are going to have to learn a lot by yourself, sitting alone in a room.” – Theodore Geisel, “DR. SEUSS”


“A writer never has a vacation. For a writer, life consists of either writing or thinking about writing.” — Eugène Ionesco


“Books aren’t written – they’re rewritten…It is one of the hardest things to accept.” - Michael Crichton



“God doesn’t require us to succeed; he only requires that you try.” - Mother Teresa


“Trouble in writing reflects troubled thinking, usually an incomplete grasp of the facts or their meaning.” – Barbara Tuchman


“The truth of the matter is that you always know the right thing to do. The hard part is doing it.” - H. Norman Schwarzkopf


“If you’re going through hell, keep going.” – Winston Churchill


“Writing and rewriting are a constant search for what it is one is saying.” – John Updike


“Tough times never last, but tough people do.” - Dr. Robert Schuller


“99% of success in life stems from just showing up.” – Woody Allan


“Even without a religious perspective, love and compassion are clearly of fundamental importance to us all.” - Dali Lama


“There is no greater agony than bearing an untold story inside you.” - Maya Angelou


“Great things are not done by impulse, but by a series of small things brought together.” - Vincent Van Gogh


“Nothing is so fatiguing as the eternal hanging on of an uncompleted task.” – William James


“You have brains in your head. Your feet in your shoes. You can steer yourself in any direction you choose.” – Theodore Geisel, “DR. SEUSS”


“Never, never, never give up.” – Winston Churchill


“Nothing will come of nothing. Dare for mighty things.” – William Shakespeare


“So the writer who breeds more words than he needs, is making a chore for the reader who reads.” - Theodore Geisel, “DR. SEUSS”


“Finish what you’re writing. Whatever you have to do to finish it, finish it.” - Neil Gaiman


“If you don’t have the time to read, you don’t have the time or the tools to write.” – Stephen King

Dear Writers, when getting feedback: BEWARE!

A lot of real fucking pricks will tell you what THEY think you should be writing, but I’m here to tell you not to listen to them. Only trusted friends or colleagues, and I mean VERY TRUSTED friends should give you feedback when you’ve finished a peice of work. They’ll be the only people who understand what you’re trying to say in your story. HOWEVER … there are those who think they know absolutely everything about writing, without ever having picked up a pen.

How many times have you heard this little gem?
“There’s already way too many movies about dolphins like yours. I think you should write about zombies instead!”

I don’t WANT to write about zombies! I want to write about freaking DOLPHINS you idiot!

WRITE WHAT YOU LOVE. Don’t let other people tell you what to do with your life. As long as you’re telling a story from your own heart, and you’re being true to yourself, that’s all that matters. In a way, everything has been done. But I don’t like to believe there is no originality left in the world. There’d be no point in writing anything new if that was the case.

I once gave someone a short script I worked on, and instead of getting feedback, I got a lesson on what to do with my life. Know what I have to say to that? EFF YOU!

Speak from your own experiences. If you find that all you can think about is how much you love baige paper – write about baige paper. If you find that all you can think about are magic spells, and humans with special powers – write about that.

Don’t let someone else’s dreams dictate how you should be living your own life. There are friends who just want to take a piece out of you to feel better about themselves.

Don’t let them.

Honest critisism and feedback is hard to come by these days. Very rarely are people honest with how they feel. If you find someone who can honestly tell you what IS working in your script or what ISN’T – you’ve found a treasure.

If you find that arrogant prick who enjoys filling your head with his own ideas, RUN. RUN AS FAST AS YOU CAN! These people really suck, and will destroy your confidence. They’re too lazy to amount to anything themselves, and feel by suggesting the things THEY think are awesome, they’ll somehow help you.

On the flipside, beware of those people who think the sun shines out of your ass. They’re probably either sucking up to you, or have such low self-esteem that they are too afraid to be honest with how they feel for fear of rejection.

You want a fine balance. Find someone who knows when you’ve gotten something RIGHT. Seek confidants that AFFIRM your talents and work to lift you up. Seek friends that give you tools to improve your craft. Not to augment your writing, or undermine it. Don’t let people with low self esteem place your work on a pedestal if it’s a peice of crap.

So what’s the bottom line?


People who are honest with themeselves, will be honest with your craft.

Things I’ve learned about writing by working in a bookstore:

Having worked in a bookstore for well over a year, a few interesting facts about writing tend to spring up.

Large companies and many of their employees rarely care about your book.

Anyone who’s worked at a corporately run bookstore will know, that the people who run show rarely really give a crap about who the author is, or what the story is about. What they do care about, is whether or not the book sells.

There are exceptions to this rule however. Some small businesses, and many employees of these bookstores are very passionate about who their favourite author is. Personally, I get excited when I meet a customer who reads the same books as I do. Who wouldn’t? There is of course the odd CEO that makes sure all of Canada or the U.S. know which books they read and like. Yet I have a feeling this is more out habitual vanity than passion for literature. Who knows, I could be wrong.

What can we learn from this? Well, for one, if you have a well written story, word of mouth will sell it all. There’s a reason why bestsellers exist. People pass on to others that they really enjoyed Stockett’s The Help, or that their favourite book of all time is The Handmaiden’s Tale by Margret Atwood. Concentrate on writing a good story. Don’t worry about anything else.

Everyone judges a book by it’s cover.

Don’t believe me? Which of these book covers would you choose?

The image on the left is such a crime of literature. The cover says very little of what the story is about. It’s boring, and it’s using one of the worst fonts ever invented: COMIC SANS

If you want to be taken seriously as a writer, never EVER use comic sans!!! … but I digress, we’ll have more on fonts another time.

Which one of these books would you honestly choose though? To me, many local authors make the horrendous mistake of choosing poor quality over price. It may be more expensive to upgrade the quality of your work if you’re self publishing, but it’s worth it. If your book looks cheap – you look cheap. I don’t want to buy something like that, because 9 times out of 10, I’m afraid it’s going to be total crap.

Customers rarely remember boring titles or author’s names.

If your book has managed to catch the eye of a customer, sometimes they’ll wait to buy it another time. If you’re one of the authors this has happened to, I apologize. But many customers will come into our bookstore and say to me “I don’t remember what the book is called, or the authors name, I just remember it has some crayon-ish style words on the front.”

“Were you perhaps thinking of Room by Emma Donoghue?”

You have to make sure you have a damned good title that sticks into people’s minds, or catches people’s eyes. Water for Elephants, The Shining, The Girl with the Dragon Tattoo, Moby Dick, Frankenstein, Harry Potter and the Chamber of Secrets, The Phantom Tollbooth, Murder on the Orient Express – Notice a trend? These titles all have specific words that GRAB your attention, and ignite your imagination. People remember these titles for a reason. Tread carefully when choosing an appropriate title for your book or movie.

Some final words on how writers can learn from the bookstore business:

- Shopping is a visual experience. Make sure that the title of your story, or your cover art stand out above all other stories. Screenwriters submitting query letters should take this advice to heart. Long or generic titles will not grab the attention of producers.

- Local authors, and self published authors tend to ignore several important things when selling their books. At book signings, DO NOT ignore every customer that walks through your door. DO NOT publish a book cover that looks like you don’t take your art seriously. ENGAGE your readers, and talk to them about your story. People want to hear the STORY BEHIND THE STORY. Challenge your audience to a great read.

- Don’t be discouraged by authors like Nora Roberts, or James Patterson, who quite literally have teams of writers working for them. I’m sure these stories may be excellent, but no author who publishes that much work does this on their own time. Well, maybe Stephen King, but that’s because he’s a God.

- Very rarely to authors like Clive Cussler produce works of ‘great’ art. That’s just my opinion anyway. What they do have however, is some a level of success. I’m sure every household in North America has at least one Clive book collecting dust. These are cookie cutter stories kids. If these books don’t look like they all tell the same story, I don’t know what does.

It’s evident these authors and publishers are more concerned with quantity than quality. I’ve read a few Clive Cussler novels, and let me be the first to say, if you’ve read one, you’ve read them all. Also, these books are always the first to go directly into our ‘bargain’ section.
Surprise, Surprise.

- A good story will sell itself. Writing is re-writing. Don’t publish something unless you’re positive it’s a great read. If you have that sinking feeling in your gut that it isn’t ready – it isn’t ready. Many writers take several years to write a masterful work. Don’t be discouraged by time. Have patience.

NEVER GIVE UP. People are hungry for a good, original story. PLEASE DELIVER.

10 excuses I’ve used to avoid writing:

After nearly 6 years, I’ve finally managed to complete the screenplay I thought I’d never finish. The lack of updates over the last two months is a direct result of me concentrating my efforts on my script, but at long last it is finished!

With that said, ONTO THE NEXT ONE!

As I reflect on the reasons why it has taken me this long to complete my screenplay the thought donned on me. I have used the very excuses that I’ve been accusing others of making.

Here is the list of my worst habitual avoidance tactics:

1) “I don’t have any time right now”

I’ve said it before, and I’ll say it again. Writers MAKE the time for their craft. If you find you can’t do that, then perhaps you should reconsider your profession. Just make the time and write.

2) “I don’t have any nice paper or pens write with, maybe I’ll drive to the store to buy some.”

I’ve literally spent many afternoons commuting into the city to buy some ‘premium’ paper, and ‘premium’ pens, only to waste large sums of money and time. Write on toilet paper if you have to. Just write.

3) “I don’t have a laptop to type with. Handwriting is so slow.”

This is such a piss-poor excuse, but I’ve used it a few times. Although the addition of my laptop has been an exceptional tool for my trade, I didn’t need one in order to write. If I had spent all the hours writing, instead of pining over having to ‘type’ on the old computer at home, I’d have finished several novels. Don’t be a nancy. Many great and famous writers dealt without having a top knotch computer in their possession. Just write.

4) “It’s too loud and distracting in my house. I can’t get any writing done being there.”

Then leave. Go for a walk. Call a friend or relative for a ride if you don’t have a car. Use the bus. Just get out of the house, and stop complaining. Just write.

5) “The power went out so I couldn’t type anything”

Poe, Aristotle, Abraham Lincoln, and Shakespeare wrote masterpeices with nothing but a feather. Don’t be an idiot. Writing by candlelight is one of the most gratifying experiences ever. Just write anyway.

6) “I can’t write. There’s too much going on, and I have enough stress to deal with in my life.”

Anne Frank managed to write in her diary during the freaking holocaust, and still managed to get an entire book’s worth of material before being murdered. Stop being a primadonna. Just write.

7) “I can’t afford to write. I have to work a full time job, and support my family.”

So did J.K. Rowling before inevidably quitting, and trusting in her craft. She didn’t have a pot to piss in before Bloomsberry finally picked up her first novel about a boy wizard. Find the time. Trust in your dreams, and write.

8) “Everything I write is crap anyway. So there’s no point.”

Some of the best writers deal with self doubt. Writing is rewriting. Find a way to push yourself, and keep going. If you don’t like what you’re writing, write until you do. Just write.

9) “I tried and failed. Nobody wants my book/screenplay. So why bother?”

Author Rex Pickett received over 70+ rejection letters for his work before his novel Sideways published. In 2004, Alexander Payne would win the oscar for best-adapted screenplay of Pickett’s Sideways. Pickett’s success would not have come had he given up on his craft. This is an important lesson for all writers. Learn from your rejections. Just keep writing.

10) “I don’t have anything unique to say.”

Everyone has at least one good story in them. Speak from the heart, and write what you enjoy.

I leave you now with one of my favorite quotes from one of my favorite authors.

“I would like to be remembered as someone who did the best she could with the talent she had.” – J.K. Rowling

5 ways to improve your Horror Screenwriting

Given the current spooky atmosphere, I thought it prudent to share with you my outline to an effective horror screenplay. I’ve come to understand these things over a great deal of time, and I hope they prove useful for you.

1) Suspense is a must:

Take a look at every classical horror movie that has lasted the test of time. You have psychological thrillers like The Shining (1980) or Psycho (1960). The audience is continuously left to guess the intentions of the killer or monster. Leaving things to the imagination, the audience is left baffled why Danny Torrence keeps saying “REDRUM”, or when the central protagonist is suddenly murdered halfway through the movie.

Keep the audience guessing. Keep the action moving. When everything is revealed in the final act, this acts as a reward for your audience having sat through the entirety of the movie.

The best example of this is through Shyamalan’s The Sixth Sense (1999). For those who haven’t seen it, I’m not about to spoil the end for you. Just know, that for those who know what I’m talking about, Dr. Malcolm’s discovery is not only horrifying, it creates a further sense of disbelief causing the audience to want to go back and watch it again.

Keeping things a secret in your script is NOT a bad thing. Save the best MINDF*@# for last!

2) Have a memorable monster:

The Blair Witch, Norman Bates/Mother, Dracula, Frankenstein’s Monster, The Creature from the Black Lagoon, The Overlook Hotel, Room # 1408, Jason, Freddy Kruger, Hellraiser, Aliens, Ghosts, Zombies, Demonic Possession, Those we do not speak of… All these monsters have carved their way into cult-classic history.

Monsters like “Jigsaw” from the recent Saw saga, are memorable enough that even if your movie isn’t particularly well done, people go JUST to see the monster/villain at work.

The best monsters are creatures that can tell an ongoing tale, and have quite a great deal of mystery behind them. We doubt their intentions, and don’t fully understand their powers.

3) Creating characters the audience cares about:

Horror movies about characters that I absolutely can’t stand are never scary for me. Horror movies about characters that I grow to love or understand are 10x scarier, because I care what happens to the character. Take Katie and Micah from Paranormal Activity (2007) for example, or the Freeling family in Poltergeist (1982).

The first act, and parts of the second act, are set up in a way that you grow to care for the characters. We care as an audience when poor little Carol-Anne is sucked into her closet, and cries out helplessly to her family. “Moooommy? Mommy where are you? I can’t see you?”.

We become emotionally attached to the characters. Therefore, when scary things happen to them, we feel their pain and terror.

4) Writing the unexpected:

This is sooo important. How many horror movies have you seen that the characters do the most OBVIOUS things? “I better go into this room without turning on the lights” … “I wonder what that strange noise was on the back porch?”

One recent horror movie that excels in the unexpected is Insideous (2010). This is probably one of the scariest horror movies I’ve seen in a while, as a great deal of the action varies from being very subtle, to in your face shocking.

The movie keeps you guessing what may happen next, and just when you THINK you know what will happen, the opposite occurs. People jump when things pop out at them, but the audience will scream when you truly surprise them.

5) A good story is far better than a cheap scare:

Horror movies that withstand the test of time are movies with fantastic stories. Night of the Living Dead (1968) and Psycho (1960) are two old movies that have proven their worth as good stories. They are continuously watched and purchased throughout the world.

The rules of good suspense and thriller writing apply to any horror screenplay. The proper tools and quality of your craft will determine if your movie with be the next Sixth Sense or the next Troll 2 (1990).

You can write an excellent story by remembering some essentials: Have a great location and setting. Rural or Urban. Have memorable, living characters, and never forget that conflict is the key to everything. Without conflict you have no story. No one wants to watch a movie about nothing happening.

Don’t think for a second that writing a horror screenplay is an easy endeavour. It takes practice, and dedication. If you skip the tools necessary to effective storytelling you’ll be insulting to your audience, and be terribly predictable.

I hope this was of some use to all of us aspiring writers. Have a happy and safe Halloween everyone!

WAAAAH… I didn’t “Ctrl+S” Seriously FML!

Today I performed a cardinal sin of writing, and now I’m paying the price. BAAAAH!

I had just finished an extensive amount of revisions on another project of mine that I’ve been working on, and I neglected to save my project. Needless to say my battery died, and I lost most of what I was working on!

Always save your work. Always.

If you’re lucky enough to be using a program that will automatically back up your file if you aren’t saving, that’s fantastic. Unfortunately, I wasn’t using my regular screenwriting program…

So, never forget the simplest tool ever. Using the keyboard’s shortcuts, press “CTRL-S” to save your work CONSTANTLY. LOL

Or for us MAC users, “⌘ + S

Well, as they say, writing is re-writing. Today I guess, I’ll be re-re-writing. FML

Writer’s Tool #6: The Word “NO”

NO!

It’s a poignant reply, one that is often unemployed by most writers. Very few people realize the power of having creative boundaries.

Simply tell people “no”.

Of course you could opt for a less abrasive approach to “no” like:

  • “No thank you.”
  • “Sorry, I can’t. I’m writing that day!”
  • “I have to get some work done! Thanks though!
  • “I can’t volunteer for your bake sale, I have an important writing deadline coming up. Yes I know you need 10,000 cookies by thursday. I’m sorry. Best of luck though! I’m rooting for you! I know you can do it!”

  • “I can’t, I promised my creative coach I’d have something written for her this week!”

I realize these may not be applicable to every situation. Of course you could always lie by saying you have a “funeral” to attend or something, but I find that honesty is the best policy. Your true friends and family will understand that you need creative time to yourself.

Anyone who gives you a hard time about can go suck a lemon.

It’s a simple word. N and O, spells NO. You’ll find that practicing the art of “no” in your life, will result in extra time for yourself, and a schedule that isn’t quite as hectic as it used to be. Nobody likes having to remember a dozen things they’ve committed to in one week. It’s hard enough having to do things like working a day job, or raising children. LOL – bottom line is, if you have a choice to say “NO” to work on your craft, and you say “YES” … don’t complain that you don’t have enough time to yourself.


You can find other tools like this in the Writer’s Toolbox link, at the top of the page.


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